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His idea of a complex rhyme is status and at/us. Juvenile raps are strictly rhyme/rhyme, switch. If you're looking for complex rhyme schemes, complicated flows or advanced subject matter, keep looking. "Ha" may be either a subtly nuanced work of genius or a beautiful accident. Some of "Ha" is just life - "Some of your partners dope fiends, huh?/You don't really wanna fuck wit' them niggas, huh?/You come up wit' them niggas, huh?/You stuck wit' them niggas, huh?"
#400 degreez juvenile how to
Some of "Ha" is criminal - "You know how to work a triple beam, huh?/It ain't hard as it seems, huh?" Some of "Ha" is cruel - "That ho don't know when to shut her mouth up, huh?/You gon' knock that ho teeth out, huh?" Some of "Ha" is funny - "That's you that can't keep a ol' lady 'cause you keep fuckin' her friends, huh?" "I can't go tonight, no." "The test was hard, yeah." Or as Juvenile begins "Ha": "That's you with that bad-ass Benz, huh?" (It's written "Ha." He means "Huh?" As in: "Right? Don't you agree? Isn't it so?") "Ha" is the first single - an updated, remodeled and better version of Juvenile's regional hit, "Solja Rag." New Orleanians have an odd habit of adding affirmative or declarative words at the end of sentences. But to those who live in and around the Magnolia Housing Project of Uptown New Orleans, not only can Juvenile rap, Juvenile and his fellow Hot Boyz - B.G., Lil' Wayne and Turk - are rap. He's bilingual.įolks outside of New Orleans have also said that Juvenile can't rap. It's New Orleans Third Ward Ghetto - a second language. Maybe it's because some of his favorite words have no written equivalent, or precise meaning - words like whoalay or shipe. Maybe it's how he randomly adds and subtracts syllables. You won't be sorry.Folks from places other than New Orleans have said that Juvenile raps like he's deaf. If you've never heard this band, be sure to check them out and see what all the fuss is about. Their most recent album, "Power This" (2004), is their best yet, and showcases the The Jellybricks' ever-maturing songwriting skills and studio sensibilites.
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The Jellybricks again found themselves on the airwaves with the singles "Speechless" and "Prerequisite Rocker," and hit the road once more in support of the album.
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With their live show honed by months relentless touring, the band returned to the studio and emerged with 1999's critically acclaimed, "Soapopera," their second full-length album. Within weeks, they found themselves sharing the stage with acts such as Live, Goo Goo Dolls, Fuel, and Better than Ezra. Harrisburg, Pennsylvania-based power pop quartet, The Jellybricks, blazed onto the scene in 1997 with the release of their debut album "Kinky Boot Beast." Their first single, "Who is God" immediately became a hit on local radio stations and soon found its way onto the national airwaves. Released 16 April 2004 Produced by Cliff Hillis / Co-produced by The Jellybricks & Jeff Meglio / Engineered & Mixed by Jeff Meglio & Cliff Hillis / Recorded at home (PA), Cape Sound Productions (PA), Reuben Farther Studios (DE) & Target Recording Studios (MD) / Mastered by Mike Newman at Scullville Studios (NJ) / THE JELLYBRICKS: Larry Kennedy: guitar, vocals - Garrick Chow: bass guitar, vocals - Bryce Connor: guitar, vocals - Tom Kristich: drums, percussion, vocals / Playing Along: Cliff Hillis: additional tasty guitar, ambience - Matt Thomas: hammond organ, wurlitzer piano - Pete Palladino: sexie vocal - Richard Smarts: zippers - Mierda Caliente y el Grupo de Sanchez Sucio: samba break, acoustic palmadas del asno / Cover Art: Garrick Chow & Larry Kennedy / Touchup work by Andrea Gonzalez / Design & Layout: Garrick Chow with The Jellybricks & John Fritchey / Photography: Jason Pappariella & Garrick Chow Power This - LP - 2004 Kool Kat Musik - Features the single, ʺCan't Be Wrongʺ Just take it for what its worth as a good fun cd. One CD you must have in your line up if your about to drive for a few hours because you can just let it play.īy trackstar_110h (New Orleans, LA, U.S.A)
#400 degreez juvenile code
Mannie fresh did his dam thing on this cd but juvie lyrics where just about money and bling it was way too materialistic i think the g code and reality check are his best cds. The productions is what saved this cd for me But if you like the beats and sound of down south hip hop this album eppitimizes that it started the come up of the south like biggies ready to die did the east. This is a CMB classic how could anyone not luv this cd